The Peacemaker

 

 

When a train carrying atomic warheads mysteriously crashes in the former Soviet Union, brilliant US nuclear specialist Dr Julia Kelly discovers the accident is really part of a diabolical plot to cover up the theft of these weapons.

Assigned to help her recover th explosives is crack Special Forces Colonel Thomas Devoe, whose brash, take-no-prisoners style clashes with hKelly's more diplomatic approach.

Putting aside their personal differences - and their budding romance - together they race against time and as they track the last remaining warhead to the steps of the United Nations in this taut, apocalyptic thriller from director Mimi Leder.

It seems that thrillers these days--even good ones--are all about scene-chewing bad guys, cute retorts fit for the Dennis Miller show, and one big special effect to end the movie. Well, something like The Peacemaker, the first feature film from DreamWorks, puts the record straight. Here is an expertly paced thriller with a sensible villain, smart instead of cute dialogue, and a focus on action instead of special effects.
It's not original, just solid. It's the second of these energetic and effective thrillers that writer Michael Schiffer (Crimson Tide) has penned.
The White House Nuclear Smuggling Group tracks down 10 stolen nuclear bombs after a suspicious train wreck in Russia. The acting head of the department (Nicole Kidman) and her military field officer (George Clooney) are off to Europe to track down the bombs. Instead of a Gary Oldman-Bruce Dern madman, The Peacemaker's heavy is an unknown Romanian actor (Marcul Iures) playing a Bosnian rebel who works passionately and quietly. This may be a popcorn movie, but it uses the ripe emotions of the Bosnian War to create tension. This is the best film vehicle yet for the overwhelming charisma of George Clooney as a quick witted, generally warm Oliver North type who will seek deadly vengeance without pause. He's matched very well by the professional polish of Nicole Kidman who is showing great flexibility in dividing her roles between serious and fun fare. --Doug Thomas

 

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